Carl Carlsen 
                 
                 CARL CARLSEN  ( 1950 -      ) is the site author of the website The Poetry of Places in Essex County.  From 1974 through 2011, he taught English at North Shore Community College, and while there, he curated and presented public programs about local poetry in collaboration with The Lynn Museum, The Nahant Historical Society and the Sawyer Free Library in Gloucester.   He also developed an interest in oral history, and in 1985, the college published his booklet, Brickyard Stories: A Neighborhood and its Traditions.
CARL CARLSEN  ( 1950 -      ) is the site author of the website The Poetry of Places in Essex County.  From 1974 through 2011, he taught English at North Shore Community College, and while there, he curated and presented public programs about local poetry in collaboration with The Lynn Museum, The Nahant Historical Society and the Sawyer Free Library in Gloucester.   He also developed an interest in oral history, and in 1985, the college published his booklet, Brickyard Stories: A Neighborhood and its Traditions. 
                In retirement, he continued his work as an oral historian, working with his father to produce Fifty Years on Seven Seas, the story of his maritime career, available on the Norwegian War Sailors website.  He also collected, from his mother’s side, They Came Out: Holocaust Diaspora Testimonies of the Lange Family, accessible on the U.S. Holocaust Memorial Museum website.   After completing these projects, he began work on a sequel to Brickyard Stories. Brickyard Stories 2.0: A Lynn MA Neighborhood Before and After Urban Renewal was self-published in 2021.  It’s sold on Amazon and is the capstone of his career as an oral historian.
                The three ekphrastic poems on this site were written in response to three paintings of Dogtown done in 1916 by John Sloan, a member of the famous Ashcan School.   They were part of the Cape Ann Museum’s exhibition of Sloan’s paintings of Gloucester, 2015’s “Gloucester Days.”   Interestingly, the three paintings cover Dogtown over the course of a day.  “Dogtown, Ruined Blue Fences” depicts sunrise and inspired “The Rumble of Rock,” “Dogtown Common” spotlights noon and inspired “Earthen Spheres,” and “Evening, Dogtown” showcases dusk and inspired “City of Blue Light.” 
                Every ekphrastic writer responds to an artwork in their own way, and these three poems make specific reference to particular features of each of the paintings they are about.  The poems try to capture the mystique of Dogtown projected by the paintings and use the shapes and colors of each painting as a starting point.
                
                 
                
                
                  
                    |  | EARTHEN  SPHERES
                
                after John Sloan’s “Dogtown Common” 1916 
 
 Celestial Spheres – “… Aristotle proposed that the heavens were literally composed of 55 concentric, crystalline spheres to which celestial objects were attached and which rotated at different velocities with the earth at the center.”
 [Department of Physics and Astronomy, University of Rochester]
 
 
 Boulders bask on Dogtown Common’s sphere
 aligned as tire treads
 or a field of asteroids orbiting
 that avocado pit on the pitcher’s mound.
 Or is it an eye, a hub, a nucleus
 or even a navel?
 
 On the outer ring of Dogtown Common
 lie three moai from Easter Island.
 The one closest has hair
 an eye, an elongated chin.
 
 It’s Snoopy resting on his doghouse roof
 on his back gazing upward
 considering the sphere of the sky:
 a zeppelin stormcloud rolling in violet overhead,
 blue gray clouds, their dark patches
 of rain streaming to the sphere of the earth,
 Gloucester in its wake.
 
 What are the chances he’ll get wet?
 
 If I’m Snoopy,
 it’s the brightness and warmth of mid-day
 to make the most of.
 It’s not so bad
 to lie here on Dogtown Common
 with the asteroids and other moai
 and that eye, that nub, that nucleus,
 that avocado pit on the pitcher’s mound,
 or is it a sombrero?
 
 
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